SYNOPSIS

An art film that exhibits an anthropological style. It appropriates a personal version of the methodologies of direct cinema and ethnography to problematise the camera's role. Its account of a night at the greyhound track is self-consciously dispassionate. That is a problem in itself. The film is largely inaccurate, I believe.

GÉNÉRIQUE

• Director

  Mike Hannon

• Production

  Mike Hannon

• Referent

  Mike Hannon

• Sales

  Mike Hannon

• Editing

  Mike Hannon

• Camera

  Mike Hannon