BIOGRAPHIE

Davor Sanvincenti (1979) is specifically interested in a field of audiovisual phenomenology and anthropology of visual culture, particularly focused on the conditions and forms of human senses and perceptions. His practices find form in a variety of media – film and video, photography, physical light and sound installation and live media performance. His work plays with the concept of illusion, exploring the possible boundaries of perception and the construction of experience. Filmography Places We’ll Breath (2022), Almost Nothing: So Continues the Night (2017), Disintegration of unprocessed film within the magnetic loop (2016), Blue Arpeggios (2012), The River (2009), Ana is Gone (2009), V-AV Winter (2008), En el Nadal (2008), Water Portrait (2007), Katarina 06 (2006), Neige (2006), Symmetric Cells Migration (2006), 2.3 (2005), A.M. (2005), N° (2003), Re_cycl (2003), Believe (2002), Bit of Human (2001)

FILMOGRAPHIE

• 2022 Mjesta koja cemo disati Réalisation, Scénario, Direction artistique du son, Montage, Image
• 2017 Skoro nista: i dalje noc Réalisation, Scénario, Animation, Montage
• 2012 Blue Arpeggios Réalisation, Production, Référent(e), Vente, Scénario, Montage, Image